Delooka Beat

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إيقاع الدلوكة

   

Style of Delouka

 It was named after the famous popular folk song known in most parts of the Sudan as "Al-delouka". It is drum instrument made of pottery larger than the jar, which is known in Sudan as (Zyr). It was skinned with goat's skin after it was cut into the underside of the zebra and became in the shape of a bulb or a funnel. Two pieces of the genus of the ablution instrument are attached to the it. One piece is similar to the dish that has the upper face skinned with goat skin, while the other is closed, to carry the belly of the palm of the left hand. The cursing instrument was touched by a piece of palm paper, a piece of leather, or a branch of right-hand trees.

The delouka style has several names, including: style of the biography or the show in central Sudan, and the tractor in its west. Each with musical characteristics that distinguish each type from the other, in slow speed or above medium velocity.

The symbol of the style of Al-delouka in the social life in Sudan on equestrian and masculinity,vision, dignity, and was often associated with some of the habits that accompany dancing in some areas of the northern Sudan, especially when the tribes  of Ja'aleen who live in Shendi and neighboring villages and the countryside, where the festive gathering on the occasions of weddings It combines both men and women. The celebrant celebrates that he is naked by carrying a whip made from the skin of the cow and is characterized by the durability that does not allow him to tear when one of the invited guests of friends or relatives voluntarily, to prove his ability to patience and endurance.

A number of musical time signatures can be recorded on the score, such as the 4of4  or Triple 3 of 4. Or 3 of 8. Or triple multiplier 6 of 8.

There are some circadian styles in the Arabian Gulf regions that bear the name of the show, especially in the Kingdom of Saudi Arabia, although they were associated with performing the dance of the parade, but they differ from the Sudanese parade in terms of the tempo and the divisions of measure one of them. The name of the biography in the eastern regions of the Sudan when the tribes of the Bejaoui of the highest and protectorates, such as the tribes of  Hadndawah, Bani Amer, Ababdeh and Bashariyans. The performance of striking the Eastern delouka song is accompanied by jumping up in sync with the rhythm of the beating time. The dancer carries the sword with his right hand and the stick or the darqa "Shield", ie the shield, with his foot and wearing the national uniform of the Bejaoui, which is the Arab and Egyptian dress, ar'raqi and the large trousers. The anklets are draped with head hair and the shoes are made of plastic named shidda.

In the Shaikia region "Tribal tribe" of northern Sudan there is a five-year-old biographical record, which differs from the rest of Sudan.

 And in Sudan if you want to move the palate and vision and inflamed feelings towards any national or social issue, you have to write music and lyric in hitting the rhythm style of Al-delouka ..

 

                                       

She is a rhythmic machine I/she/you did from the pottery by volume a bigger than the cud , and who perceives smiling through Sudan .

She was tough by patient of the goat after I/she/you had a profound effect in the direction of bottom – the large jar she was in the form of the rest or the repression

He reaches Deloka's machine A two pieces from kind of a machine ( shatam a formation rhythmic the incumbent and who Deloka's beating is being possessed by them Be high popular .

The one piece like the dish which bind be a notable a higher by patient of the goat , while the other party is closed , let her load the leftleft hand by interior of a palm of the hand . The machine of the cursing comes by night by piece from palm branch of the date palm or a piece from the endurance or they plunged from obedient trees by the hand the right side .

For beating of Deloka Several nouns from her :

He beat the autobiography and the public performance in Sudan's middle , and tractor by its west . For each from her musical properties distinguish each kind from the end , in tardiness of the speed or the speed upon the average .

Deloka's beating makes a social sign in the life In Sudan on the equitation and the manhood ,

 

the magnanimity , and often he was bound by some of the habits which the dancing was attached to each other on him in some of tract Sudan the northern and particularly be conscious

This is a kind of sudanese beatings ..

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